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This Holy Hour: An Interview with Composer Margaret Burk
Updated: Dec 17, 2024
Composer Maggie Burk talks with us about her new work This Holy Hour: A Sequence of Carols for Christmas, premiered at Trinity's Christmas Concert in December 2023.
Dr. Katie Webb, Trinity's Canon for Cathedral Music, approached me in late 2022 with the idea of crafting a new Christmas work for her phenomenal choir, which has traditionally performed Benjamin Britten's iconic Ceremony of Carols every year for Christmas services and concerts.
She asked me to imagine a work for choir and harp that both honored the legacy of Britten's Ceremony and featured new poets and perspectives reflective of Trinity's diverse, vibrant congregation.
To that end, I selected some of the traditional carols featured in Ceremony of Carols ("There Is No Rose" and "Balulalow"), as well as some familiar favorites of the Episcopal tradition ("Of the Father's Love Begotten," "The Holly and the Ivy," and "Bring a Torch, Jeannette, Isabella").
Where my work departs from previous Christmas pieces, however, is my inclusion of texts by Margaret Deland (1857-1945), William Shakespeare (1564-1616), and Charles Anthony Silvestri—best known in the choral world as one of Eric Whitacre's primary collaborators—which add new perspectives to the Christmas story.
The work opens with an unexpected quotation from the first act of Hamlet, immediately blending the secular world with the sacred. About halfway through, Deland's poem "The Christmas Silence" paints a vivid picture of motherhood in a strange place – appropriate for Deland, who with her husband regularly took in pregnant, unmarried young women in New England.
The heart of the work, however, is Silvestri's new poem "For One Such As Me," which he generously composed for This Holy Hour. Tony and I both identify as part of the queer community, and I knew I wanted to include a text that spoke to an LGBTQ+ perspective.
For many LGBTQ+ people, the Christmas season represents a time of anxiety, tension, and even heartbreak as some families shut their doors to their own kin. "For One Such As Me" expresses the radical, inclusive love at the heart of the Christmas story.
It is a love letter to anyone who has been rejected, scorned, or unloved – a love letter that affirms that we all find home in that stable, in the presence of the newborn Christ.
Thank you for such an insightful interview with Margaret Burk. Her thoughts on the intersection of faith and music really resonate, especially in today's world. I wonder: how do you think her compositions could influence a community's emotional connection during worship? Also, have you considered incorporating words or puzzles like "quordle" to engage younger members creatively?
I really like how the work brings together such different texts, from Hamlet and The Christmas Silence to For One Such As Me, while remaining anchored in themes of love, belonging, and compassion. Describing the piece as a "love letter" to those who have experienced rejection makes its message especially moving. On a different note, Drift Boss is also worth checking out if you enjoy simple challenges that require focus and precise control.
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